I finally saw Hamilton

I've finally seen Hamilton. Like many thousands of others, I downloaded Disney Plus to my phone (to my cheap little android phone that continues to over-perform) and used Chromecast to watch it on my TV. I made an event of it, watching it with no other distractions - I love to single focus on a movie or TV event (which is why I still love going to the movies - or, I did before COVID-19...).

It's nice to finally be a part of the "in" club that has seen it.

This was absolutely the right call by Disney, to make this freely available. They deserve nothing but praise for this gift to the nation, a gift we really needed right now.

I was probably never going to get to see Hamilton live with professional performers, and no offense to high schools or community theaters, but if I couldn't see it first with a professional cast, I just didn't want to see it at all. 

It is a brilliant piece, no question. The amount of thought and years of work put into this astounds me. I am entranced with the idea of someone - Lin-Manuel Miranda - being so inspired by a thought, and idea, a biography, that they spend YEARS to create such a work. To have a muse like that... I'm jealous. I crave to be so inspired.

I'm also surprised that this play has struck such a chord with so many. While I didn't fall in love with it the way so many, many of my friends have (and that's FINE - to each his own), I have been touched by how much people have loved it, especially young people. I've been there, with other pieces, and I know what that thrill is like - it got me through college and made my brief stints in New York City back in the late 1980s and in 1990 utterly magical.

I read a lot of gushing from people on social media who fell in love with Hamilton off-Broadway, but that gushing felt very different than the explosion of love for it in 2016 coincided with the anger people felt about the rise of Donald Trump and all that he stood for. The way it was valued off-broadway and broadway was, from this observer, very different. But I kept trying to keep my distance from seeing or reading in-depth about it - I wanted to have my own experience and feelings when I watched it.

And my own feelings about Hamilton:

• I love the celebration of a person who is, truly, self-made, someone who, by every definition now, is "at-risk" and "disadvantaged", raised by a single parent, who truly had to make his own way in the world - and did so, in a hugely important way.
• I was astounded at the complexity of the female characters AND the complexity of their music. In fact, that's when I teared up - that's the moment when I became emotionally involved. 
• The cast was mind-blowingly talented. Just astounding in every way. And casting all the principal American characters with Black Americans, Latinos and Asians brought an ownership to the story and themes that's long overdue. 
• It was fascinating to see a musical celebrating Hamilton, Jefferson and Washington at a time when so many in the USA are questioning or lionization of those three - and so many others - and tearing down statues not only of Confederate traitors but the so-called "founding fathers." Miranda wrote about these figures just a decade ago, before this became a national, fevered conversation. Were he writing now, perhaps he would have written about Jefferson and Washington in particular VERY differently. But no piece can be absolutely comprehensive, no piece can represent every point of view and explore every theme, and I have no criticism of him whatsoever regarding these characterizations. In fact, I was glad at the very stark reminder about Washington staunchly refusing to seek another term and what that act meant for the future of our nation - it's a message that is more timely now than at any time Hamilton was performed live on Broadway. 
• Yes, there is a lot of important history that gets left out. I can't believe people want to focus on that. Some of the same people who praise the cross-cultural casting - which, technically, is historically inaccurate - complain about the historical inaccuracies. And they complain at what got left out. Folks, I deeply admire John Adams. I have often wondered what would have happened had he gotten the second term he absolutely deserved. The story of John and Abigail Adams is one that I think should be detailed in every American history class. John Adams believed while he was president that Hamilton explored the idea of a coup in order to remove him. They were NOT friends. Am I upset that none of this gets mentioned in Hamilton? Nope. Am I upset that, historically, the playwright is on Team Hamilton when I am clearly on Team Adams? No! That would be ridiculous. Stop being ridiculous. It's a work of ART. Like all art, it reflects the views of the artist. If you can't get past that, you are going to be miserable not only in theatres, but in art museums.  
• Gonna say it: it didn't have as much rap as I was expecting and for that I am grateful. And I was SO glad the show was subtitled because I wouldn't have understood a lot of it otherwise. Hi, I'm old.    

So, there are my thoughts on Hamilton. I celebrate it for what it is, I'm not going to criticize it for what it isn't, and while I'm not enthralled by it the way so many are, I sure am enthralled by it's brilliance, which cannot be denied, and how it's inspired so many, especially young people. More of this, please.

Also see Fathers & theaters.